181|107|3|2.00/ENTRANCE HALL|WIDE SIDEANGLE ON SCENE.|PYRAMID.MOV||181 of 721
182|107|4|2.00/ENTRANCE HALL|LONG LENS LOOKING BACK TOWARD HALL. DANIEL LOOKS UP AT OBELISKS.|PYRAMID.MOV||182 of 721
183|107|5|2.00/ENTRANCE HALL|HIS POV [Point of view].|PYRAMID.MOV||183 of 721
184|108|1|2.00/ENTRANCE HALL|TRACKING SIDEANGLE WITH DANIEL BETWEEN OBELISKS.|PYRAMID.MOV||184 of 721
185|108|2|2.00/ENTRANCE HALL|LOW PULLBACK CU [Close up] DANIEL.|PYRAMID.MOV||185 of 721
186|108|3|2.00/ENTRANCE HALL|WIDESHOT FROM UP THE DUNE AS THE TWO MEN TRUDGE UPHILL.|PYRAMID.MOV||186 of 721
187|108|4|2.00/ENTRANCE HALL|REVERSE, BETWEEN OBELISKS.|PYRAMID.MOV||187 of 721
188|108|5|2.00/ENTRANCE HALL|TRACKING SIDEANGLE CU [Close up] DANIEL. HE STOPS TO REST, TURNS...|PYRAMID.MOV||188 of 721
189|108|5.1|2.00/ENTRANCE HALL|PUSH RAPIDLY IN TO ECU [Extreme close up] FOR HIS REACTION.|PYRAMID.MOV||189 of 721
190|108|5.2|2.00/ENTRANCE HALL|(Continued)|PYRAMID.MOV||190 of 721
191|108|6|2.00/ENTRANCE HALL|CU [Close up] COLONEL O'NEIL|PYRAMID.MOV||191 of 721
192|108|7|2.00/ENTRANCE HALL|LOW ANGLE ON THE TWO OF THEM. PUSH IN AS THEIR GAZE TRAVELS UPWARD...|PYRAMID.MOV||192 of 721
193|108|7.1|2.00/ENTRANCE HALL|(Continued)|PYRAMID.MOV||193 of 721
194|108|7.2|2.00/ENTRANCE HALL|(Continued)|PYRAMID.MOV||194 of 721
195|109|1|2.00/ENTRANCE HALL|POV [Point of view]. TILT UP SLOWLY...|PYRAMID.MOV|254|195 of 721
196|109|1.1|2.00/ENTRANCE HALL|(Continued)|PYRAMID.MOV||196 of 721
197|109|1.2|2.00/ENTRANCE HALL|...TO THE VERY TOP OF THE MASSIVE PYRAMID.|PYRAMID.MOV|028|197 of 721
198|109|2|2.00/ENTRANCE HALL|CU [Close up] DANIEL.|PYRAMID.MOV||198 of 721
199|109|3|2.00/ENTRANCE HALL|CU [Close up] THE COLONEL.|PYRAMID.MOV||199 of 721
200|109|4|2.00/ENTRANCE HALL|WIDE OVER THE DUNE ON PYRAMID. SEE FIGURES OF THE COLONEL AND DANIEL VERY TINY AT THE BOTTOM OF THE FRAME, ATOP THE DUNE.|PYRAMID.MOV||200 of 721
201|140|1|4.00/ARRIVAL AT NAGADA|LOW ANGLE LOOKING UP AT NAGADA GATES. NAGADANS START TO GATHER ON THE ROOF AND IN THE DOORWAYS.|NAGADA.MOV|403|201 of 721
202|140|2|4.00/ARRIVAL AT NAGADA|ANOTHER CUT OF PEOPLE LOOKING, COMING TO ROOF'S EDGE.|NAGADA.MOV||202 of 721
203|140|4|4.00/ARRIVAL AT NAGADA|WIDE HIGH CRANE SHOT ABOVE AND BETWEEN THE FRONT GATES OF THE CITY. WE START TO CRANE DOWN.|NAGADA.MOV|109|203 of 721
204|140|4.1|4.00/ARRIVAL AT NAGADA|...BETWEEN THE BUILDINGS...|NAGADA.MOV||204 of 721
205|140|4.2|4.00/ARRIVAL AT NAGADA|...MORE PEOPLE GATHER TO WATCH THE CARAVAN COME IN.|NAGADA.MOV||205 of 721
206|140|4.3|4.00/ARRIVAL AT NAGADA|CONTINUE CRANE SHOT...|NAGADA.MOV||206 of 721
207|140|4.4|4.00/ARRIVAL AT NAGADA|THE GATES BEGIN TO OPEN.|NAGADA.MOV||207 of 721
208|140|4.5|4.00/ARRIVAL AT NAGADA|CRANE SHOT CONTINUED.|NAGADA.MOV||208 of 721
209|140|4.6|4.00/ARRIVAL AT NAGADA|CRANE SHOT CONTINUED.|NAGADA.MOV||209 of 721
210|140|4.7|4.00/ARRIVAL AT NAGADA|OUR HEROES ENTER; THE CAMERA MEETS DANIEL IN CU [Close up].|NAGADA.MOV||210 of 721
211|140|6|4.00/ARRIVAL AT NAGADA|WIDE ON GATES AS NAGADANS TREK INTO THE CITY.|NAGADA.MOV||211 of 721
212|140|7|4.00/ARRIVAL AT NAGADA|SIDEANGLE FOR SAME.|NAGADA.MOV||212 of 721
213|140|8|4.00/ARRIVAL AT NAGADA|REVERSE OF PREVIOUS SHOT. START BEHIND FIRST OF GROUP, CRANE UP AS THE GATES OPEN...|NAGADA.MOV||213 of 721
214|140|8.1|4.00/ARRIVAL AT NAGADA|...AND SEE MORE NAGADANS GATHER ON THE BRIDGES.|NAGADA.MOV|291|214 of 721
215|140|9|4.00/ARRIVAL AT NAGADA|THE CAMERA IS SUSPENDED ABOVE THE FIRST BRIDGE LEVEL ON THE MAIN STREET. WE PULL BACK WITH OUR PROCESSION...|NAGADA.MOV|432|215 of 721
216|140|9.1|4.00/ARRIVAL AT NAGADA|...THROUGH THE CURIOUS CROWD...|NAGADA.MOV||216 of 721
217|140|9.2|4.00/ARRIVAL AT NAGADA|...ENDING WITH RA DISK IN FG [Foreground].|NAGADA.MOV|008|217 of 721
218|141|1|4.00/ARRIVAL AT NAGADA|SIDEANGLE. DANIEL LOOKS UP IN WONDER.|NAGADA.MOV||218 of 721
219|141|2|4.00/ARRIVAL AT NAGADA|CU [Close up] MEDALLION. TILT UP TO...|NAGADA.MOV||219 of 721
220|141|2.1|4.00/ARRIVAL AT NAGADA|...CU [Close up] DANIEL. HE LOOKS AT THE MEDALLION THEN UP...|NAGADA.MOV||220 of 721
221|141|2.2|4.00/ARRIVAL AT NAGADA|HE TURNS, RACK [Change point of focus] FOCUS TO THE COLONEL IN BG [Background].~THE COLONEL LOOKS UP TO SEE...|NAGADA.MOV||221 of 721
222|141|3|4.00/ARRIVAL AT NAGADA|...A LARGE STONE DISK SUSPENDED ABOVE THE STREET. IT'S A VERSION OF THE ONE DANIEL WEARS. PUSH IN.|NAGADA.MOV|411|222 of 721
223|141|3.1|4.00/ARRIVAL AT NAGADA|(Continued)|NAGADA.MOV|008|223 of 721
224|243|1|6.00/ESCAPE FROM RA|TRAVELLING POV [Point of view] SHOT MOVING TOWARD HANGING CLOTH...|||224 of 721
225|243|1.1|6.00/ESCAPE FROM RA|PUSH THROUGH TO EXTERIOR.|||225 of 721
226|243|1.2|6.00/ESCAPE FROM RA|SEE CROWDS.|||226 of 721
227|244|1|6.00/ESCAPE FROM RA|..CU [Close up] COLONEL O'NEIL AS HE IS TOWED THROUGH THE DOORWAY BY HORUS #1.~PULL BACK WIDER TO SEE...|||227 of 721
228|244|1.1|6.00/ESCAPE FROM RA|...THE REST OF THE SOLDIERS FOLLOWING. PAN [Move camera from one side to another] RIGHT WITH THE GROUP AS THEY PASS...CUT TO...|||228 of 721
229|244|2|6.00/ESCAPE FROM RA|...VERY HIGH ANGLE SHOT OF O'NEIL AND THE OTHERS. TRACK WITH THEM...|||229 of 721
230|244|2.1|6.00/ESCAPE FROM RA|THEY STOP, ABOUT THE CENTER OF THE RAMP. WE CONTINUE TILT TO SEE...|||230 of 721
231|244|2.2|6.00/ESCAPE FROM RA|(Continued)||63|231 of 721
232|244|2.3|6.00/ESCAPE FROM RA|...THOUSANDS OF NAGADANS GATHERING IN THE DUNES. CUT TO...|||232 of 721
233|244|3|6.00/ESCAPE FROM RA|...WIDE REVERSE FROM OTHER SIDE OF SAND BOWL. SEE TINY FIGURES OF THE GROUP MARCHING DOWN THE RAMP.||182|233 of 721
234|244|4|6.00/ESCAPE FROM RA|HORUS USES HIS STAFF TO KNOCK THE SOLDIERS TO THEIR KNEES...|||234 of 721
235|244|5|6.00/ESCAPE FROM RA|...AND RETURNS TO THE TOP OF THE RAMP.|||235 of 721
236|244|5.1|6.00/ESCAPE FROM RA|PAN [Move camera from one side to another] HIM INTO POSITION AS ANOTHER HORUS TAKES HIS PLACE BESIDE HIM.|||236 of 721
237|245|1|6.00/ESCAPE FROM RA|PULLING BACK WITH SHA'URI THROUGH THE CROWD...|||237 of 721
238|245|2|6.00/ESCAPE FROM RA|HER POV [Point of view] AS SHE ANXIOUSLY SCANS THE ENTRANCE PLATFORM. PAN [Move camera from one side to another] RIGHT...|||238 of 721
239|245|2.1|6.00/ESCAPE FROM RA|(Continued)|||239 of 721
240|245|2.2|6.00/ESCAPE FROM RA|...AND END ON COLONEL O'NEIL AND THE OTHERS.|||240 of 721
241|245|3|6.00/ESCAPE FROM RA|CU [Close up] SHA'URI'S DISAPPOINTED AND ANXIOUS FACE.||85|241 of 721
242|245|4|6.00/ESCAPE FROM RA|MCU [Medium close up] O'NEIL.|||242 of 721
243|245|4.1|6.00/ESCAPE FROM RA|(Continued)|||243 of 721
244|246|1|6.00/ESCAPE FROM RA|THE GLIDERS HOVER MENACINGLY OVERHEAD...|||244 of 721
245|247|1|6.00/ESCAPE FROM RA|LOW ANGLE, TIGHT ON ENTRANCE HALL DRAPES...|||245 of 721
246|247|1.1|6.00/ESCAPE FROM RA|SUDDENLY, ANUBIS SWEEPS THEM ASIDE.|||246 of 721
247|247|1.2|6.00/ESCAPE FROM RA|HE WALKS OUT PAST THE CAMERA, DANIEL IN TOW. PULL BACK WITH DANIEL TO..|||247 of 721
248|247|1.3|6.00/ESCAPE FROM RA|CU [Close up] DANIEL ON PLATFORM.|||248 of 721
249|247|2|6.00/ESCAPE FROM RA|WIDE ON PLATFORM AS DANIEL STEPS OUT.|||249 of 721
250|247|3|6.00/ESCAPE FROM RA|CU [Close up] SHA'URI, RELIEVED TO SEE DANIEL ALIVE.|||250 of 721
251|247|4|6.00/ESCAPE FROM RA|WMS [Wide medium shot] DANIEL|||251 of 721
252|247|5|6.00/ESCAPE FROM RA|CU [Close up] O'NEIL, OTHERS. SURPRISED TO SEE DANIEL ALIVE.||347|252 of 721
253|247|6|6.00/ESCAPE FROM RA|HIGH AND WIDE , TRACKING WITH ANUBIS TO A HIGH POSITON ON THE RAMP. HE STOPS.||330|253 of 721
254|247|7|6.00/ESCAPE FROM RA|CU [Close up] ANUBIS. HE SURVEYS THE CROWD. PULL BACK...|||254 of 721
255|247|7.1|6.00/ESCAPE FROM RA|ANUBIS GESTURES TO THE CROWD.|||255 of 721
256|247|8|6.00/ESCAPE FROM RA|OTS [Over the shoulder] ANUBIS AS HE SPREADS HIS ARMS WIDE AND THE ENORMOUS CROWD BEGINS TO FALL TO ITS KNEES.|||256 of 721
257|247|9|6.00/ESCAPE FROM RA|VERY WIDE FROM OPPOSITE SIDE OF BOWL. SEE THE CROWD KNEEL AND GENUFLECT IN A HUGE WAVE.|||257 of 721
258|247|10|6.00/ESCAPE FROM RA|CROWD SHOT; THE PEOPLE KNEEL. MOVE OVER THEM|||258 of 721
259|247|11|6.00/ESCAPE FROM RA|SEE KASUF HELPED TO HIS KNEES BY OTHER ELDERS.|||259 of 721
260|247|12|6.00/ESCAPE FROM RA|CU [Close up] DANIEL, AFRAID. MOVE AROUND HIM TO SEE...|||260 of 721
261|247|12.1|6.00/ESCAPE FROM RA|...OTS [Over the shoulder] DANIEL, ANUBIS. RACK [Change point of focus] TO HIM AS HE TURNS AND GIVES DANIEL A LOOK|||261 of 721
262|247|13|6.00/ESCAPE FROM RA|WMS [Wide medium shot] DANIEL, UNCOMFORTABLE. PAN [Move camera from one side to another] RIGHT WITH HIM...|||262 of 721
263|247|13.1|6.00/ESCAPE FROM RA|...AS HE WALKS TO THE FRONT OF THE THRONE AND KNEELS.|||263 of 721
264|247|14|6.00/ESCAPE FROM RA|HIGH ANGLE LOOKING DOWN ON THE ENTRANCE DOOR.|||264 of 721
265|247|14.1|6.00/ESCAPE FROM RA|SUDDENLY THE DRAPES ARE PULLED OUT AND ASIDE BY RA'S YOUTHFUL ENTOURAGE.|||265 of 721
266|247|15|6.00/ESCAPE FROM RA|HIGH AND WIDE FOR SAME. PULL BACK TO SEE PLATFORM.|||266 of 721
267|247|15.1|6.00/ESCAPE FROM RA|ALL ON THE PLATFORM KNEEL.|||267 of 721
268|247|16|6.00/ESCAPE FROM RA|CUT OF BOY KNEELING, WAITING.|||268 of 721
269|247|17|6.00/ESCAPE FROM RA|TIGHT ON DRAPES AS THEY ARE PULLED APART.|||269 of 721
270|247|17.1|6.00/ESCAPE FROM RA|(Continued)|||270 of 721
271|247|17.2|6.00/ESCAPE FROM RA|RA COMES OUT INTO THE LIGHT. HE WEARS HIS MASK.||390|271 of 721
272|247|18|6.00/ESCAPE FROM RA|WIDE SIDEANGLE FOR RA'S ENTRANCE.|||272 of 721
273|247|19|6.00/ESCAPE FROM RA|PULLING BACK WITH RA'S FEET. SEE HIS FORCE FIELD GENERATORS PRECEDING AND FOLLOWING HIM.|||273 of 721
274|247|20|6.00/ESCAPE FROM RA|LOW WMS [Wide medium shot] PULLING BACK WITH RA TO HIS THRONE.||5|274 of 721
275|247|21|6.00/ESCAPE FROM RA|SIDEANGLE AS RA SITS.|||275 of 721
276|247|22|6.00/ESCAPE FROM RA|(Continued)||313|276 of 721
277|247|22.1|6.00/ESCAPE FROM RA|(Continued)|||277 of 721
278|247|23|6.00/ESCAPE FROM RA|LOOKING PAST RA AS ANUBIS OFFERS HIS WEAPON TO HIM.|||278 of 721
279|247|24|6.00/ESCAPE FROM RA|REVERSE AS RA ACCEPTS IT.|||279 of 721
280|247|25|6.00/ESCAPE FROM RA|LOOKING DOWN ON DANIEL FROM BEHIND HIM.|||280 of 721
281|247|25.1|6.00/ESCAPE FROM RA|ANUBIS' HAND DROPS SUDDENLY ONTO DANIEL'S SHOULDER, PULLING HIM UP. WE BOOM WITH THEM TO...|||281 of 721
282|247|25.2|6.00/ESCAPE FROM RA|...OTS [Over the shoulder] DANIEL ON RA, WHO OFFERS THE WEAPON TO DANIEL.|||282 of 721
283|247|26|6.00/ESCAPE FROM RA|OTS [Over the shoulder] RA ON DANIEL, CU [Close up].|||283 of 721
284|247|27|6.00/ESCAPE FROM RA|CU [Close up] RA.|||284 of 721
285|247|28|6.00/ESCAPE FROM RA|TIGHT ON DANIEL'S HANDS AS HE ACCEPTS THE WEAPON FROM RA. TILT UP TO..|||285 of 721
286|247|28.1|6.00/ESCAPE FROM RA|CU [Close up] DANIEL.|||286 of 721
287|247|28.2|6.00/ESCAPE FROM RA|(Continued)|||287 of 721
288|247|29|6.00/ESCAPE FROM RA|SIDEANGLE FOR PREVIOUS ACTION.||178|288 of 721
289|247|30|6.00/ESCAPE FROM RA|OTS [Over the shoulder] DANIEL ON RA.|||289 of 721
290|247|30.1|6.00/ESCAPE FROM RA|DANIEL TURNS INTO THE FRAME, WE RACK [Change point of focus] TO HIM.|||290 of 721
291|248|1|6.00/ESCAPE FROM RA|BEHIND DANIEL, MOVING WITH HIM AS HE WALKS DOWN THE RAMP TOWARD THE SOLDIERS.||347|291 of 721
292|248|2|6.00/ESCAPE FROM RA|PULLING BACK WITH HIM.||178|292 of 721
293|248|3|6.00/ESCAPE FROM RA|PAN [Move camera from one side to another] ACROSS THE SOLDIERS' FACES, END ON O'NEIL.|||293 of 721
294|248|4|6.00/ESCAPE FROM RA|HIGH AND WIDE TRACKING CRANE SHOT OF DANIEL WALKING DOWN RAMP.||257|294 of 721
295|248|4.1|6.00/ESCAPE FROM RA|SAME, MOVING CLOSER.||330|295 of 721
296|248|4.2|6.00/ESCAPE FROM RA|CONTINUED.|||296 of 721
297|248|4.3|6.00/ESCAPE FROM RA|END CRANE SHOT OTS [Over the shoulder] O'NEIL ON DANIEL.|||297 of 721
298|248|5|6.00/ESCAPE FROM RA|REVERSE.||347|298 of 721
299|248|6|6.00/ESCAPE FROM RA|O'NEIL'S POV [Point of view] OF DANIEL.|||299 of 721
300|248|6.1|6.00/ESCAPE FROM RA|RACK [Change point of focus] TO WEAPON HEAD AS IT OPENS.|||300 of 721
301|248|7|6.00/ESCAPE FROM RA|CU [Close up] O'NEIL|||301 of 721
302|248|8|6.00/ESCAPE FROM RA|CU [Close up] DANIEL, RA IN BG [Background].|||302 of 721
303|248|8.1|6.00/ESCAPE FROM RA|DANIEL TURNS, WE RACK [Change point of focus] TO RA.|||303 of 721
304|248|9|6.00/ESCAPE FROM RA|REVERSE. DANIEL LOOKS TOWARD RA, THEN UP...|||304 of 721
305|249|1|6.00/ESCAPE FROM RA|TILTING UP TO HIS POV [Point of view] OF GLIDERS HOVERING MENACINGLY OVERHEAD.||420|305 of 721
306|249|2|6.00/ESCAPE FROM RA|SKAARA IN THE CROWD, LOOKING UP ALSO...|||306 of 721
307|249|3|6.00/ESCAPE FROM RA|SKAARA'S POV [Point of view]...THE PYRAMID, AND THE THREE SUNS IN SYMMETRICAL CONFIGURATION.|||307 of 721
308|249|4|6.00/ESCAPE FROM RA|SKAARA AGAIN, SEARCHING THRU A BAG FOR SOMETHING...|||308 of 721
309|249|4.1|6.00/ESCAPE FROM RA|HE FINDS IT. O'NEIL'S LIGHTER.|||309 of 721
310|250|1|6.00/ESCAPE FROM RA|CU [Close up] DANIEL AS BEFORE.|||310 of 721
311|250|1.1|6.00/ESCAPE FROM RA|A LIGHT CATCHES HIS EYE...|||311 of 721
312|250|1.2|6.00/ESCAPE FROM RA|HE LOOKS.|||312 of 721
313|250|2|6.00/ESCAPE FROM RA|DANIEL'S POV [Point of view] OF SKAARA IN THE CROWD, REFLECTING THE SUNS OFF THE LIGHTER AND INTO DANIEL'S EYES.||353|313 of 721
314|250|3|6.00/ESCAPE FROM RA|CU [Close up] DANIEL...|||314 of 721
315|251|1|6.00/ESCAPE FROM RA|SKAARA'S COAT AS HE OPENS IT, REVEALING A PISTOL STOLEN FROM THE SOLDIERS' CAMPSITE. TILT UP...|||315 of 721
316|251|1.1|6.00/ESCAPE FROM RA|SKAARA REVEALS THE RIFLES, IN A SACK ON HIS BACK.|||316 of 721
317|251|2|6.00/ESCAPE FROM RA|DANIEL REACTS, LOOKS AROUND.|||317 of 721
318|251|3|6.00/ESCAPE FROM RA|HIS POV [Point of view]. OTHER SHEPHERDS MOVE THROUGH THE CROWD, OBVIOUSLY LADEN WITH MORE GUNS.|||318 of 721
319|251|4|6.00/ESCAPE FROM RA|DANIEL FROM O'NEIL'S POV [Point of view] AS BEFORE.|||319 of 721
320|251|5|6.00/ESCAPE FROM RA|O'NEIL AND THE OTHERS STOICALLY AWAITING THEIR FATE.|||320 of 721
321|251|6|6.00/ESCAPE FROM RA|CU [Close up] DANIEL, SWEATING IT OUT...|||321 of 721
322|251|7|6.00/ESCAPE FROM RA|SIDEANGLE ON THE TWO MEN. SUDDENLY, DANIEL MAKES HIS MOVE....|||322 of 721
323|251|8|6.00/ESCAPE FROM RA|FROM UP-RAMP, DANIEL SWINGS THE WEAPON AROUND AND FIRES...|||323 of 721
324|251|9|6.00/ESCAPE FROM RA|CU [Close up] RA, REACTING.|||324 of 721
325|251|11|6.00/ESCAPE FROM RA|ON RAMP NEAR TOP.|||325 of 721
326|251|11.1|6.00/ESCAPE FROM RA|(Continued)|||326 of 721
327|251|11.2|6.00/ESCAPE FROM RA|(Continued)|||327 of 721
328|251|12|6.00/ESCAPE FROM RA|FROM BEHIND RA FOR SAME ACTION.|||328 of 721
329|251|13|6.00/ESCAPE FROM RA|FROM THE FRONT FOR SAME. RA STANDS, THE CLOTHS THAT THE BOYS WERE HOLDING UP FALL OVER HIM.|||329 of 721
330|251|14|6.00/ESCAPE FROM RA|ON OUR HEROES. DANIEL DROPS THE WEAPON, THE STUNNED SOLDIERS GET TO THEIR FEET.|||330 of 721
331|251|15|6.00/ESCAPE FROM RA|HORUS #1 TRIES TO GET HIS BEARINGS AND TAKE AIM THROUGH THE SMOKE.||80|331 of 721
332|251|16|6.00/ESCAPE FROM RA|LOW ANGLE ON SKAARA. HE PULLS THE PISTOL, POINTS IT UP IN THE AIR. AS HE DOES, WE BOOM UP TO IT...||78|332 of 721
333|251|16.1|6.00/ESCAPE FROM RA|HE FIRES. TOTAL PANIC FROM THE CROWD.|||333 of 721
334|251|17|6.00/ESCAPE FROM RA|THE OTHER SHEPHERD BOYS FOLLOW HIS EXAMPLE. PANDEMONIUM.|||334 of 721
335|251|18|6.00/ESCAPE FROM RA|WIDE OVER CROWD AS THEY PANIC.|||335 of 721
336|251|19|6.00/ESCAPE FROM RA|VERY WIDE FROM FAR SIDE OF THE BOWL AS WAVE OF PANIC AND CONFUSION SPREADS THROUGH THE THRONG.|||336 of 721
337|251|20|6.00/ESCAPE FROM RA|LOW ANGLE LOOKING UP THROUGH THE NAGADANS, SCREAMING AND RUNNING|||337 of 721
338|251|21|6.00/ESCAPE FROM RA|OUR HEROES USE THE COVER OF THE SMOKE AND FIRE TO MAKE GOOD THEIR ESCAPE. THEY RUN TOWARD AND EXIT FRAME UNDER THE CAMERA.|||338 of 721
339|251|22|6.00/ESCAPE FROM RA|LOW ANGLE LOOKING UP AT THE EDGE OF THE RAMP. DANIEL AND O'NEIL LEAP.|||339 of 721
340|251|23|6.00/ESCAPE FROM RA|BACK UP ON THE RAMP. FERETTI, KOWALSKI AND FREEMAN ARE CLOSE BEHIND.|||340 of 721
341|251|24|6.00/ESCAPE FROM RA|A HORUS GETS A CLEAR SHOT AND FIRES HIS WEAPON.|||341 of 721
342|251|25|6.00/ESCAPE FROM RA|BELOW THE EDGE OF THE RAMP AS BEFORE. KOWALSKI AND FERETTI MAKE THE JUMP IN TURN.|||342 of 721
343|251|26|6.00/ESCAPE FROM RA|A PIECE OF THE RAMP EXPLODES BEHIND THEM AS THEY DO...|||343 of 721
344|251|27|6.00/ESCAPE FROM RA|ON OUR GROUP AS THEY LAND IN THE SAND|||344 of 721
345|251|28|6.00/ESCAPE FROM RA|FREEMAN LAGS BEHIND...|||345 of 721
346|251|28.1|6.00/ESCAPE FROM RA|...AND IS HIT.|||346 of 721
347|251|29|6.00/ESCAPE FROM RA|FERETTI AND KOWALSKI SEE THEIR COMRADE FALL, BUT BEFORE THEY CAN MOVE TO HELP HIM...|||347 of 721
348|251|30|6.00/ESCAPE FROM RA|THEY ARE COVERED WITH NAGADAN CLOTHES AND WHISKED AWAY INTO THE CROWD.|||348 of 721
349|251|31|6.00/ESCAPE FROM RA|CU [Close up] THE SHEPHERD BOYS RELEASE THE PRISONERS FROM THEIR BONDS.|||349 of 721
350|251|32|6.00/ESCAPE FROM RA|O'NEIL AND DANIEL ARE DRESSED BY SKAARA AND SHA'URI, THEN DISAPPEAR INTO THE PANICKING CROWD WITH THEM.|||350 of 721
351|252|1|6.00/ESCAPE FROM RA|ANGLE ON ANUBIS AS HE DIRECTS THE GLIDERS.|||351 of 721
352|253|1|6.00/ESCAPE FROM RA|LOW LOOKING UP PAST HIM AS THE GLIDERS FLY OVERHEAD.|||352 of 721
353|253|2|6.00/ESCAPE FROM RA|FROM THE CROWD'S POV [Point of view] WE SEE THE TWO GLIDERS SWOOP DOWN ON THE CROWD.|||353 of 721
354|253|2.1|6.00/ESCAPE FROM RA|(Continued)|||354 of 721
355|254|1|6.00/ESCAPE FROM RA|GLIDER FLIES OVER THE NAGADAN'S HEADS, WE MOVE WITH IT.|||355 of 721
356|254|2|6.00/ESCAPE FROM RA|INSIDE THE ENTRANCE HALL, RA STORMS IN AND PAST US, ANUBIS FOLLOWING HIM.|||356 of 721
357|308A|1|9.00/BATTLE AT THE PYRAMID|INTERIOR.~SKAARA IN MCU [MEDIUM CLOSE UP].|||357 of 721
358|308B|1|9.00/BATTLE AT THE PYRAMID|EXTERIOR, REVERSE.~SKAARA TURNS TO LOOK UP IN THE SKY...|||358 of 721
520|317D|1|9.00/BATTLE AT THE PYRAMID|SEE GLIDER APPROACH, GUN BARREL FIRING IN FG [Foreground]|||359 of 721
521|322A|1|9.00/BATTLE AT THE PYRAMID|REVERSE FROM OTHER SIDE OF CART CIRCLE. THE BOYS RUSH TOWARD US...|||360 of 721
